Thought Wheel

Ann Chiappetta

When It Is Finished 🎨🖼️

| Filed under blindness

 

The question, how does one know when a creative piece of work is completed? I discovered this might be the same and yet be assigned a variety of judgements depending on the form and medium.

 

I tinker with my literary and genre pieces for months or years, depending on how invested I am in actually finishing them. I am much better at finishing drafts than ever before. It is due to feeling that the time I do have   is more precious.

 

It is different, a quicker production with my art pieces. I have this canvas board piece I’ve been making for months, not years.  At first, it was going to be a geometric piece, but as I began working on the elements and color choices, it began taking control away from my original design plans.

It kept speaking to me, pushing for more texture, more focus within the box, something more to draw the eye above and below the center. This piece wants me to be messy.  Take chances. Trust the process.

 

I wasn’t  sure when or where to stop. More flowers? Stems?  Fabric? Marks?

It would sit for days, even weeks without me working on it. I’d fall asleep at night thinking what it wanted from me and why I wasn’t open to what it wanted.  I began to doubt it would ever be finished.

 

When this happens, I clean, straighten up my studio. I puttered around, wiping down surfaces, returning brushes, paint, paper and scissors in their respective jars, bins  and drawers. I trolled Amazon and online art stores for supplies. I did not have a clue what supplies I might need to finish this elusive piece, but I trust my intuition, have faith in my creative core, so I distracted myself until all would be revealed.

 

I reached into a storage drawer to slide in some brown paper when my fingers touched the black netting I’d stashed away. Yes, FYI, artists are pack rats, especially collage and mixed media creators. I grabbed it and knew this was what I needed. Why it did not manifest as an idea before is a mystery. But thanks to my cleaning binge, I finished my piece.

 

Each art piece I complete builds the inner relationship with my creativity. I am still learning how to be more patient and push through the pauses while bringing a piece to fruition. It could  be because I am older now, more purposeful. I hope you like the art piece that has proven my efforts are worthwhile.

Main Composition:  vertical orientation  18 x 24  mixed media canvas board.  A predominantly mauve/purple-gray background. From top to bottom, A black, open weave net  drapes from the top to the middle ground, adding a curtain effect. A yellow ribbon runs across the top resembling a valance.

Behind the curtain, three prominent yellow flowers with black centers, painted in a loose, expressive style with curved green stems are layered atop a darker, cloud-like  background. The inner, centrally placed  window is decorated with Vertical striped patterns in black and white/light purple running along the top and sides, creating a frame-like border effect.

 

Within the inner frame are three yellow flowers with long curved stems outlined in raised wax outlines. A bug made with glass beads and  black netting sits at the bottom left corner of the inner window. Bordering the inner and outer window frame at the bottom are strips of paper mache in random, faded colors.

 

 

 

 

 

wall art resembling a window with black net curtains parted revealing an inner window looking out on three flowers. Colors are purple, gray, yellow and black. A beded resembling a bug sits in the bottom left corner .

art piece described in post.

disability Anthology Coming Soon 📕

| Filed under blindness nonfiction Relationships writing

So excited to share this promotional flyer for “DISABLED VOICES ANTHOLOGY COLLECTION: This Too Is A Life” edited by Tracee Garner.

The cover image of the book  shows diverse faces in profile. The flyer lists 24 contributors’ names and circular headshots arranged in a grid, including Tonya Gilchrist, Mizdanak, Elie Zameski, Tracee Garner, Kamilah Martin-Proctor, Christyna Hunter, Angel Ackerman, Katherine Schnieder, Annie Chiappetta and others. The text “COMING SOON” appears vertically on the left side. The flyer has a beige background with black text.

So much is happening it’s making me tired. Well, kind-of …

| Filed under blindness Relationships

Did you ever feel a bit worn out but also accomplished? This is me. Fatigued and relieved. Deadlines rushing up and being met. Planning and being rewarded for taking the time for it. That kind of thing.

 

Aging into the life of writing and now art, I do my best to pace myself but it doesn’t always work. Sometimes technology fails and time runs short or I don’t rise from my very comfortable bed when I should to complete tasks for the day.

 

When this happens, I shift things around and all’s good in the end. I can pull carrots tomorrow or grind herbs when time permits.

 

The Zen of this message is keep moving, keep crossing those tasks off your list and  tell yourself, “I did good today,”.

 

Remarkable World Commentary Episode #107: Interview with Ann Chiappetta

| Filed under assistive technology blindness writing Writing Life

🎙️ Remarkable World Commentary Episode #107: Interview with Ann Chiappetta, Author, Poet and President of Friends in Art | By Donna J. Jodhan, LLB, ACSP, MBA | Courtesy of the PWD Media Co-op
https://donnajodhan.com/rwc-08-24-2026/ 
In this moving episode of Remarkable World Commentary, Donna J. Jodhan, LLB, ACSP, MBA speaks with author, poet and Friends in Art president Ann Chiappetta about a life rebuilt three times over. Ann describes being diagnosed with retinitis pigmentosa in 1993 at 28, while expecting her first child, losing her job, her acrylic furniture design career, and for a while her sense of herself, and the “angels” who pulled her back: her ophthalmologist, her rehab counselor, and eventually writing itself, which she calls a catharsis for everything she could not say about going blind. She talks about the ten years she spent delivering the Building Bridges disability awareness program to children in kindergarten through second grade, and the payoff of overhearing a child in a supermarket teach their own parent not to touch a guide dog.
The second half turns to work and craft. Ann recounts her nine years as a readjustment counselor with combat veterans at the White Plains Vet Center, where not being able to see her clients made them disclose sooner, and where a federal system’s inaccessible tools kept her permanently catching up, and the three-year fight simply to sit her licensing exam with accommodations, a fight she won and an exam she then failed twice before deciding she had given it enough. Donna, mid-fight with CompTIA and Pearson over her own cybersecurity certification, tells her plainly: “I totally understand what you’re telling me.” They close on independent publishing, the screen-reader barriers that nearly killed Ann’s first book Upwelling, how she writes by ear with text-to-speech, and her advice to anyone adjusting to sight loss, don’t give up, fight the good fight, and ask for help, including mental health help.

Playing with Stencils

| Filed under blindness

“Celtic”

4 x 6: acrylic on canvas.

The artwork is rectangular with a deep red or burgundy background. It features an ornate Celtic-style knot design in the center, rendered in gold/yellow and black colors. The interlaced pattern is symmetrical and decorative, with flowing curves and loops characteristic of Celtic knotwork. The are is framed in split wood dowels to give it a rustic and mystic accent.

One of the first tools I found helpful in my journey of mixed media and collage art is the stencil. It is a balance of preciseness while being forgiving. It’s like the adult version of not being afraid of drawing outside the lines. I also found a few tricks along the way. I tape the stencil down, and if needed, use copy paper to help keep the surface free from errors.  When a good image reveals itself once the stencil is peeled away, it’s like being a kid on Christmas.

 

There are also plenty of sloppy or poor images. I keep some of them for other collages for background and layering.

 

As for the stencils, any craft store, online or physical, will have a wide selection and most are sold in themed packages in many sizes. I would suggest starting with simple stencils first no larger than 5 x 7 inches and begin with acrylic markers and use medical gloves, as you will end up with ink and/or paint on your fingers.

 

If you do not like wearing gloves, have wet wipes handy, you will need them. If you want to start, just do it. Practice,  and let your creativity flow.

The Visual Artist Who Can’t See 👀

| Filed under blindness

I am asked how I make visual art without the benefit of sight. Being a writer and artist who is blind does not always mean I create alone. I am a collaborator, I get a surge of personal satisfaction when a group project succeeds, receives positive feedback or receives praise and recognition. It is larger than me, honors the hard work, insight and forethought of others.

 

Sometimes, though, I get stuck or run up against a barrier I cannot navigate when I am working solo. When it happens, I open my networking space and search for an answer. It could be a group, organization, small group or a good friend or colleague agreeing to assist me. My sister, Cheryll, is the photographer responsible for most of my book covers. I describe my idea and she sorts through her expansive catalog to find the right image. Other times I cast a line out to a wide audience, like when I wanted feedback on an article about blindness, low vision and participating in a choir.  If you would like a copy of the article, email me at president@friendsinart.org .

 

In terms of my mixed media and collage art, I get assistance with trimming, gluing and orienting myself. If you want to know where to buy various sizes of paper punches, including one that resembles a jigsaw puzzle piece, I am your gal.:)

 

I ask my family for the simple things like making sure I have the right color of paint or paper.  I use the Be My Eyes app for sighted assistance and AIRA is another subscription-based video call assistant app I use when accuracy is important, like for photos of my work. I use a product label scanning app called Seeing AI to identify a product, then mark it for easier identification. I use what is called RFID labels from a company called HABLE. The app is called SpeechLable. The adhesive stickers can be scanned and record a spoken description and saved to the app.

 

Jerry and April both assist with hot gluing because I like my fingerprints. 🤕🤕

Another ask is to assist me when choosing paint pens in the vast assortment I have acquired over the years. For some reason AI is not good at this unless I use white paper and draw on it for a color analysis. It is easier and faster to just ask a person. I still have not produced a reliable way to keep the fifty or so acrylic markers and gel pens sorted by color.

 

Things I do not need help with encompasses about 95% of my art-making and  framing and 98% of my writing. I do have a few trusted writers who love to help me with simple tasks like checking my poem is left-justified or formatted according to a journal’s guidelines if I am stuck.

Creating happens in a internalized, cerebral bubble but taking it outside the dome is invigorating. It builds my confidence.  I began collage with small panels and over time, expanded the size to 18 x 24 canvas boards. I started simply, then grew with the experience.

I gravitate to intimate art pieces but hope to grow with the process.

 

Visit my gallery:

https://www.annchiappetta.com/whispering-vines-studio

 

 

 

Wood wall art featuring a black bird accented in yellow and orange on a green lefy background in a dark wood frame.

 

 

🪼

My Artist’s Journey of Discovery

| Filed under blindness

A Mixed Media Journey

 

I am Annie. This is my journey of getting back into painting,abstract and collage art after thirty years. Going blind meant saying so long to visual arts, or so I thought. Now that I am retired and exploring new things and renewing my connection to the arts, I am inviting you to come with me.

 

It will be messy and my work might make you scratch your noodle, but it is my hands, fingers, and imagination expressing who I am that will hopefully resonate with you .

 

To view my gallery, visit

https://www.annchiappetta.com/whispering-vines-studio/

All my pieces are tagged with alt text for the blind and low vision visitors.

The first piece is  called “Swirl” It is one of my larger pieces, measuring 18 x18”.I used heavy weight watercolor paper, a stencil, acrylic paint and stamps. It is my statement to the labyrinth and Celtic designs.

What I learned from making this piece: purples and magentas compliment green nicely, stamping is much more precise and better quality than twenty years ago, and trying to get the stencil to release from the paper after I let it dry too long made me groan with frustration.

 

Each piece I’ve made has taught me to be patient, prepare and think about the statement I want to convey visually, and do my best not to be hard on myself when I do mess up.

Until next time –

The artwork features a buttercream and gold  shimmer paint background.  The circular labyrinth contains curved lines in green and magenta at the center, resembling a stylized maze. Surrounding these lines are eight large and small black, simple leaf  shapes scattered  along  the white space. The edge resembles a lace fabric design.

 

Word for the Day is Go 🦮

| Filed under blindness Guide dogs

The word for today in Annie’s world is “GO”.  We went on our first walk with the dogs since the bad weather set in last November. Iowa did a great job leading the way. He was eager to go, and I needed to go for health reasons. Jerry and May also got going.

 

The obstacles we avoided thanks to Iowa’s guidance included two large sewer grates, a parked car, a few passing cars and one stop sign controlled intersection.

 

Iowa and I did have a conversation as to when to cross over to the driveway of our house. He wanted to begin a bit too early. I wanted a more direct line.  Let’s say we compromised, my husband laughing as we negotiated.

I said,

“Forward,”

Iowa went a few steps, then would stop and look right at the house. Jerry said we weren’t opposite yet.

We repeated this dance until Jerry judged we were aligned and I got the okay to go.

 

If Iowa had his way we would have angled and I would lose my bearings.

Jerry said I shouldn’t be so perfectionistic, Iowa knew where to take us.

 

The lesson for the day, go with your dog.

 

New art in Whispering Vines Studio

| Filed under blindness

Please visit Whispering Vines Studios – Ann Chiappetta

 

and check out two new mixed media art pieces. Galaxies is a 12″ x 7″ unique abstract polychromatic acrylic on canvas. Desert Night is an 11″ x 14″ acrylic and stencil desert scene accented with genuine snakeskin.

 

The purchase price includes shipping.

 

Please contact me with questions.

Happy Holidays!

 

Touchable Art Show ‍

| Filed under blindness

Hello friends and neighbors –

One of my art pieces will be on display, along with 33 other touchable sculptures by artists at the Somatosensory art show at the Carnegie Library of Accessible Media for Pennsylvanians, or LAMP. The opening is Friday, November 7 from 4:30 – 6:30 p.m.

I’d love for you to attend opening night and explore all the pieces of touchable and accessible art. This event is unique to the art community, as most visual art is not able to be appreciated with the sense of touch, a vital frame of reference to individual with visual impairments or other sensory barriers.

 

Here is the address:

the Carnegie Library of Accessible Media for Pennsylvanians.

4724 Baum Blvd.
Pittsburgh PA 15213

To learn more about the Somatosensory exhibit, call

412.687.2440 or 800.242.0586

Web: LAMP/Library of Accessible Media for Pennsylvanians – Carnegie Library of Pittsburgh

 

The web address to my virtual gallery is:

www.annchiappetta.com/whispering-vines-studio/

I hope to see you there!

Annie

Phot is an abstract framed piece of wall art in yellow, red and black circles on a white background. It resembles a messay bar top.

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