Writing, planning, and wishing I could find an assistant or part-time publicist. Weekends are not conducive to visiting independent bookstores to promote books. Weekends are good for catching up on things, like laundry and cooking a meal and sharing it with my husband. Weekends are for brushing the dogs, binge watching favorite Netflix originals, and catching up on long-distance phone calls with extended family and close friends. Weekends are for connecting with the personal, foregoing the professional, keeping the boundaries defined and clean. When I board the bus come Monday morning, the channel changes, the persona shifts, and by the time I step down off the bus and slide the key into the office door, the transition is initiated. I greet my office mates and begin the day.
Check out this great interview, thanks to blogger Don Messenzio. I think he’s got a great blog and want to thank him for offering this kind of interview series for indy writers:
I was listening to a podcast today for the first time since I’m not sure when; it got my marketing juices flowing again, whoopee! There are weekend dads, warriors, drinkers, and the category for which I am writing this post: writers. Yup, I am proud to be a weekend writer. If I had a choice, I would write full-time and have time to put aside for marketing. As it stands, I have no choice but to cram it in from Friday evening to Sunday afternoon and occasionally when I schedule staycations.
I started my writing career after publishing my first book, Upwelling: Poems, and since the success of my second book, Follow Your Dog, A Story of Love and Trust,Follow Your Dog the time for writing and marketing are feuding – not the most unique power-struggle in the universe – but it is my struggle and it is often exhausting.
I am currently working on my third manuscript, a collection of poems, essays and short fiction. It is a rewarding and time-consuming task and I absolutely love it. Needless to say, the marketing has been pushed aside by the manuscript. If I can nail down a few interviews and add in an announcement about the new book, all’s right with the world. Let’s see, it’s Sunday evening, what’s next on the list?
Hi Folks, just a quick note to announce a short story I wrote called Strange Residue: The Wedding is being featured today as a guest post on Sue Vincent’s Daily Echo blog. The link is https://wp.me/p1wss8-fZ3
Why not go on over to Sue’s most excellent blog and read it – and, don’t forget to follow Sue’s blog, comment and share your post.
Since I began my journey as an independent author and presenter, I knew it would take time for folks to seek me out to be a guest speaker.
More than a year has gone by and I finally was asked to present at a local women’s club . In fact, the contract came in the mail yesterday. The best part, when I was asked how much I charged, I replied what the fee was and when she said, “that’s reasonable,” I broke into the cheesyest grin and thought “score!”.
I made the 3 Ps a mantra in this part of my life, thanks to a speech I heard by Rock Legend, Jon Bon Jovi. He was asked what helped him push through and achieve success. He replied, Practice, Patience and Perseverance. Thanks, dude, .
I’ve been procrastinating in telling this story. A few weeks ago, I was a total derp and deleted files that somehow could not be recovered. Yup, two novels-in-progress and a number of other manuscripts I’ve been working on for the last three years. The computer tech could not recover them, and I am now resigned to taking the original manuscripts and re-writing them. Hundreds of pages, plot revisions, and scenes gone and nothing I can do about it.
Well, I told myself, no use crying about it, I’ve been through this before and I can get through it again and make the stories better.
I’ve also made some decisions about how I back up my work and decided on using cloud storage for my works-in-progress.
The message here is mistakes will happen and the key to recovering from it is staying grounded and revising the plan to reduce the error from recurring. I may have a twitch in my delete finger, though, and I hope to reign in my trigger finger from now on, BAM!
Thanksgiving is about staying connected and sharing love and companionship. For guide and service dog teams, it means so much and more – here’s to our partners and how much we appreciate their unconditional regard, trust and protection of us.
Whatever you bring to the table, Bailey, Verona, Nikka, Titan the cat and the humans in our home wish you all peace and warmth.
Read on for a book update.
Well, readers, since the last post, FOLLOW YOUR DOG has taken off at a solid trot. It seems like just about every time I’ve asked businesses and other entities to consider a partnership the answer is YES. I am pleased and just a little bit intimidated by it. Don’t worry, though; I have been practicing for this for what seems like years and Bailey and I are ready for the attention. I hope, gulp.
Go to http://www.dldbooks.com/annchiappetta/ to fill up a stocking or two with the new book.
Guiding Eyes for the Blind has been gracious and supportive, too, which is an added bonus. If you are reading this blog post, consider them as one of your organizations of choice for monetary giving. Go to www.guidingeyes.org/
If you are in the Yorktown Hight’s neighborhood on December 9 for the Guiding Eyes graduation, I would be happy to personally sign your copy of the book. Stay tuned for more information on the event or visit my personal website to find out more about other events to promote the book: www.annchiappetta.com
For Immediate Release
Contact: Ann Chiappetta, author 914-393-6605 [email protected]
Writer tells Compelling Tale, and it is all for the love of dogs
New Rochelle, New York — October 24, 2017 – Local author and poet, Ann Chiappetta, celebrates the release of her second book, a memoir titled, “Follow Your Dog: a Story of Love and Trust”.
Legally blind since 1993, Chiappetta received her first guide dog from Guiding Eyes for the Blind in 2009. The nonfiction book tells of her struggles growing up as a visually impaired child and learning how to cope with progressive vision loss while working and raising her family. Throughout the book, her relationship with each dog in her life at the time shares a prominent place.
“It’s all about the dog,” she says, summing up being out in public with her guide dog, adding, “I wouldn’t have it any other way.”
The latter half of the book focuses on the human and canine bond that develops when matched with a guide dog. Chiappetta writes, from the back cover: “With this book, I hope to take the reader on a journey of understanding: learning what it’s like to overcome the darker side of disability by walking the path of independence with a canine partner. “
Chiappetta will be scheduling book signings and readings throughout the United States, beginning with a book signing at Guiding Eyes for the Blind in Yorktown Heights on December 9. The book is available from popular eBook and print on demand booksellers.
To purchase Ann’s book, go to http://www.dldbooks.com/annchiappetta/
Or, to access Ann’s schedule of book signings and interviews, past interviews, or request her as a guest speaker, go to http://www.annchiappetta.com
To find out more about the publisher, go to http://www.dldbooks.com
To find out more about Guiding Eyes for the Blind, visit http://www.guidingeyes.org
Hello readers, below is a plug going out to help prepare for the launching of my second book. Please share this post and visit my new website. The new book will be ready for sale very soon.
Poet, author and consultant, Ann Chiappetta, M.S.
Since 1990, Ann Chiappetta’s writing has been featured in both print and electronic publications, most notably Dialogue magazine, Reader’s Digest and Matilda Ziegler online magazine. Her poetry has been featured in small press journals like Lucidity and Midwest Poetry Review, among others. Ann’s fiction has been featured in literary journals including Breath and Shadow, Magnets and Ladders, and local collegiate publications. Her articles and essays are featured in a regular byline in the Consumer Vision digital magazine.
Her debut self-published book, a poetry collection titled, “Upwelling: Poems”, has been well received. Ann’s second book, a memoir titled, “Follow Your Dog: Story of Love and Trust is being released in November 2017. To read more about Ann or to purchase her books or to request Ann as a guest speaker, visit her on the web at: http://www.annchiappetta.com/
Dept. of Pastoral Counseling & Marriage and Family Therapy
CNS-510 Lifespan Development
Br. K. Barry
The Breakfast Club and the Systems Within
They are sometimes morbidly, often curiously, preoccupied with what they appear to be in the eyes of others as compared with what they think they are
–from Identity, Youth and Crisis (1968) by Erik Erikson
Dear Br. Barry;
You asked each of us to watch this movie and comment on it. To make inferences based on implications. I accept the fact that I had to sacrifice five whole days to write this paper because I had to take this class. Call me crazy but I think it’s crazy. What I really want to know is, with which character do you most identify?
A breakfast skipper
The characters portrayed in this film dramatize what it is like to be human, to grow, to stagnate, and to take chances. For instance, Mr. Vernon’s midlife crisis reminds us that teens are not the only ones who struggle with identity. According to Erik Erikson, midlife crisis is referred to as “generativity vs. stagnation, the seventh stage of human development called middle adulthood. Mr. Vernon is suffering from disillusionment and is questioning his decision to become a teacher and administrator. He is essentially seeking out the very same things that the five teens in detention are seeking: a sense of purpose and belonging.
The following is an analysis based on a systemic perspective. The purpose of this paper is to compare and contrast the elements of what defines the family system and the peer system. Additionally, pursuing connections and/or identifying the differences between the two groups exposes the motivations of the individual and his/her interactions in a group setting.
John’ Bender the Criminal
“Eat my shorts.”
He is the bad-boy; neglected, tortured, and lost; he elicits your attention because without it he knows no other way of affirming his own existence. A trained clinician would note that John is angry, resentful, and insecure. Conversely, the same clinician would note that John is resourceful, observant, and able to create cohesiveness in the group by challenging them. We see this in the beginning of the film when he sabotages the library door. No one reports him to Mr. Vernon assuring him that he can take charge. By the end of the day, John successfully roots out and exposs everyone’s foibles as well as sharing the ugliest parts of his home life, like the cigar burns on his forearm. The clinician watching this film would make an educated guess that he likes being in control of others and feeling powerful boosts his self-esteem. It is suggested that John is living in an abusive household with and alcoholic father. Because of his unstable home life, the only way John can communicate is by creating chaos and finding out about others through his/her own negative experiences. This particular group provides John with a sense of belonging, a dynamic he cannot find at home. The peer system is a surrogate for the things he is missing in the family system.
Whether he is aware of it or not, John symbolizes the desire to rebel against authority in order to affirm his place in society. He has already found that by being an outsider, he does not need to conform. Erikson asserts that when someone like John is “driven to the extreme of their condition [they] find greater sense of identity in being withdrawn or in being delinquent than in anything society has to offer them (1968, p. 254).” This is apparent in John’s disdain for authority and others, like Andy and Claire, who have made the choice to assimilate into the larger peer group. John holds back but it is not clear if he does so because he is afraid or if he has found another secure group outside the school’s influence.
Allison Reynolds the Basket-Case
“When we grow up our soul dies.”
Allison is the least differentiated person in the group. She is the basket-case, symbolizing the least developmentally evolved personality. She is the least attached to the peer system, her identity evolving through out the entire film. Because the family system appears to be disconnected, Allison’s own sense of balance is affected. For example, her confrontational way of speaking at awkward moments and/or refusal to speak leads this clinician to extrapolate that Allison is not skilled in the social graces. She admits to lying, stealing, and sexual promiscuity to seek attention from the others yet is reluctant to speak honestly about herself when asked. Seeking negative attention is Allison’s preferred way of communicating with others. She most likely learned this maladaptive skill from her family system. When pushed, she admits to being ignored by her family and that her home life is “unsatisfying”. A good clinician would hypothesize that Allison is being emotionally neglected and quite possibly physically neglected as well. For example, her hair looks unwashed and her clothes appear to be borrowed. She has strange eating habits, as if pop-tarts and cornflakes are all she is offered or accustomed. She is missing the little bits and pieces of parental instructions and/or demonstrations, like her mother making sure she has a nutritious lunch and clean clothes. Things most children in middle-class America take for granted. These clues point to parental neglect.
Allison’s place within her peer group is precarious, evident by the way she often hesitates joining in and holding back. Her fear of rejection is stronger than her need to belong, to test where she fits. A good clinician would conclude that her hesitation in joining her peers is a result of feeling lost within her family system.
Claire Standish the Princess
“I hate it! I hate having to go along with everything my friends say!”
John calls her a “richie”. Andy is her friend, Brian lusts after her,and Allison , well, her opinion of Claire changes by the end of the film. It’s hard to feel sorry for her; she is priviledged, attractive, and intelligent. She lives in a world that all of the other kids can only imagine. She is the popular girl, a role model for the other girls in the school to emulate. She says she hates it yet she seems to be quite comfortable in her role until John uncovers what’s going on in her family system: divorce, alcoholism, infidelity, and perhaps a bit of high-brow rebellion. After all, she did cut school to go shopping.
Since Claire is the top of this particular peer system it is noteworthy to pay attention to how guarded she is throughout most of the film. She fiercely defends her place in the group by magnifying the faults of others while defending her character. It works quite well in keeping everyone else in his or her place, except for John. A clinician would surmise that this is how Claire’s family system operates, or rather, how she operates within the family system. She likely has to guard herself against the conflict between her parents. She mentions that she disobeys her mother only when her father compels her to and that if she had to choose who to live with, she would choose her older brother instead. Claire, like all the others, cannot escape the parallelisms that exist between the family and peer system. The more she struggles against the yoke of preconceived expectations, the tighter she is entwined.
Andrew Clark the Athlete
“He is like this mindless machine that I can’t even relate to anymore.”
Andy is describing his inability to connect with his father. Andy sees himself as less than human. He feels as if he’s being used for his athletic prowess and that his emotional needs are being ignored. Andy wants to do the right thing but is easily influenced by his father’s worldview. A clinician would conclude that Andy is also an angry young man but for different reasons than those of John Bender. Simply put, he is being exploited by his father’s overpowering need to excel, to win at all costs, even at his own son’s expense. A clinician would try to find a way to help Andy use his athletic gift to free him from his father’s control. It is implied that Mr. Clark is domineering and this could be why he and his son are struggling for control. It is natural for Andy to test his father and it is often the parent who resists the shift in the relationship, causing the adolescent to resist, resulting in a stalemate.
Andy’s place in the peer system is the most stable due to his family’s position (working-class) and his innate desire to excel and good social skills.
Brian Johnson the Brain
“I don’t like what I see.”
A truly intelligent, intuitive person, Brian Johnson is the group’s observational conduit. He is the door mat, pitied by John, ignored by Andy Claire, and Allison. He is overly solicitous to adults and other kids who outrank him. By all appearances, he is a geeky ass-kisser, an overachiever, a genius who failed shop. Unlike the others, instead of lashing out, Brian holds in his emotions. When pushed he cries rather than becoming angry. A good clinician would take note of this and ask Brian if he ever gets angry, and what happens when he does. It is possible that Brian internalizes his anger and frustration because in his family system, tears and fits of anger are not how an intelligent person behaves. A responsible, mature young adult does not entertain suicidal thoughts. Like Allison, Brian struggles with his identity; he doesn’t like what he sees and yet he has not attempted to change or express how he feels until John challenges him.
In the social jungle of human existence
there is no feeling of being alive without a sense of identity.
–from Identity, Youth and Crisis (1968) by Erik Erikson
Who among this group has the most potential to become successful? The answer is all of them. Each teen has a chance to either succeed of fail depending on what the future unveils. For example, Andy may very well blow out his knee and this may upset his father’s plans and add more distance between them. Claire’s father could remarry, or Allison could run away and become a crack addict. For that matter, John could graduate, get discovered by a film producer and star in a movie about teen angst. Brian could become a firearms instructor/left-wing anarchist. My point is that there is no such thing as a sound future. They all have great potential and a good chance to find a positive direction and purpose. Discovering who they are and who they want to be is what adolescence is all about.
Breakfast Club, The (1985) A&M Films Channel Productions. Universal City Studios, Ca.
Erikson, Erik. (1968) Identity, Youth and Crisis. Norton, New York.
Santrock, John W. (2004) Life Span Development. Mcgraw Hill New York.